As mentioned in the Jupiter in Scorpio patron article, one theme we can expect during this transit is the blowing up (Jupiter) of sex scandals (Scorpio), particularly involving webs of power.
One of the stories blowing up in mainstream media just as Jupiter entered Scorpio (October 10) involves a group of women, including multiple well-known actresses, accusing powerful Hollywood film producer and Miramax co-founder Harvey Weinstein of sex-based crimes ranging from sexual harassment to rape. According to accusations, it seems Ole Harv expected more than just a standard screen test to get hired on his films.
At the time of the Jupiter ingress, the Sun and Mercury were conjunct in Libra (arts, beauty, justice), forming frictional squares to Pluto in Capricorn (toxic business/corporate hierarchy, toxic power dynamics).
Further developments stemming from the time around the ingress can be expected when Mercury catches up to Jupiter in early Scorpio October 18, as Venus in Libra squares Pluto October 27, and then as Mars in Libra squares Pluto November 19.
Now, one could see this as a simple Jupiter in Scorpio theme - the spectacular (Jupiter) outing of one nasty character misusing his power and prestige in heinous and sexually-based ways (Scorpio).
The truth is, though (and with Jupiter, we're going for the truth, the whole truth, and nothing but the truth), this is just the tip of the Plutonic iceberg as far as the corrupt-to-the-core Hollywood machine.
Where Pluto or Scorpio is involved, if anything does manage to surface in the mainstream psyche (including through mainstream media coverage), it is just the beginning of the uncovering process, the initial catalyst. In order to bring about real, grand-scale change from what is exposed, we have to pick up that single thread, follow it, and keep following it: unraveling things, deconstructing things, digging, digging, digging, and seeing where it ultimately leads.
There's a relentlessness required - not often found within the glossy facades of Hollywood.
We have to be looking at all elements of corrupt power, at how the entire machine works, rather than focusing on individual scenarios as isolated events.
The truth is: Hollywood is known for this. It's pretty well always been known for this. The "casting couch" is a well-known phenomenon.
If true, these allegations against Harvey Weinstein describe disgusting crimes committed against women by a disgusting man. But as gross and heinous as this is, it should come as no surprise to anyone paying attention. This is far from a lone wolf situation. This is far from an isolated case. The entire Hollywood machine, as well as the corporate music and modeling industries, have been set up this way. They have been built on a foundation of sexual abuse and depravity.
Lop one head off, and there are a hundred more where it came from.
The sexual abuse and programming of Hollywood actors and actresses, as well as mainstream music stars and models, is a well-researched phenomenon. And the use of these programmed stars to implant certain ideas, images, symbols, and behaviours into the public - beginning from childhood - is well-documented, as well. (MK Ultra, Monarch programming, Sex Kitten programming, etc.) These men and women are programmed to be hyper-sexualized ideals up there on the screen or stage, projecting a very dark and twisted version of human sexuality to then be emulated by their adoring fans. This is a foundational tenet of the entire corporate entertainment industry.
Former child actors have been attempting to blow the lid off pedophilia in Hollywood for decades. It was suspected that the death of Corey Haim, for example, was connected to his plan to out the pedophiles responsible for his abuse in Hollywood. Haim's friend Corey Feldman, another former child star, has also been vocal on the subject. Feldman has said, "I can tell you that the number one problem in Hollywood was and is and always will be pedophilia."
Celebrity "meltdowns" are also very well-publicized (Britney Spears, Selma Blair, Amanda Bynes, Mischa Barton, Kanye West, Katy Perry, and model Karen Mulder to name a few) that involve breaks from their programming. This often involves the surfacing of accusations of sexual abuse, which are later hushed up when the star is "feeling better."
Rose McGowan is one of the actresses accusing Weinstein of sexual misconduct. McGowan has been vocal (including on Twitter in October 2016) about being raped by a high-ranking Hollywood executive in the past, claiming it was an "open secret" in the industry.
McGowan got her first Hollywood break in director Gregg Araki's 1995 film, The Doom Generation. This film is textbook Illuminati programming, involving hyper-sexualized and hyper-violent imagery. (Similar themes can be seen in Araki's 1997 follow-up, Nowhere.) McGowan's career continued along a trajectory where her physical appearance and sexuality were primary.
About a month before the Weinstein story broke, I saw an April 2017 podcast involving an interview of McGowan done by actress and producer Illeana Douglas. The shocking thing to me about the interview was how many times McGowan mentioned trauma, cruelty, and abuse relating to her stardom in Hollywood with absolutely no follow-through from Douglas. McGowan's comments were shrugged off by "I play by the Hollywood rules" Douglas, and this, I think, is a clear indication of the overall climate around these issues. They are hushed up, glossed over, or given a very superficial treatment if they are addressed.
It's very unlikely that Douglas was unaware of the highly-public accusations McGowan had made against that Hollywood executive...
At the 21:45 mark of the podcast interview, McGowan says about her stardom, "I found it largely traumatizing, most of it, to be honest with you."
At the 29:16 mark, she speaks again about traumatizing experiences on movie sets.
At the 32:20 mark, she speaks about "arrogance" and "cruelty" on movie sets.
At the 40:10 mark, she talks about becoming "unfamous" and changing her appearance. She starts to say "programming" (40:25) but stops herself, changing it to "hits all your buttons." She talks about "disappearing" into another person/character. She also talks about being forced to have a certain appearance, "looking like a freak" at awards shows. This theme of "forced appearance" was also an element of the Britney Spears "meltdown" in 2007 when she shaved her head because, it was reported, she said she was tired of people touching her all the time when having her hair and make-up done. McGowan also speaks about cutting her hair very short/shaving it as a move toward empowerment and independence over her appearance.
At 51:15 of the interview, McGowan talks about her directorial work having a theme of: what society does to girls and women.
At 52:20, she says she has been asked, "What did you learn from the men you worked with?" and her response was, "What not to do." McGowan says this in a very serious tone, and it obviously warrants some follow-up, but Douglas laughs and shrugs it off by saying, "That's so funny!"
At the 52:41 point of the interview, McGowan talks about a memoir she is writing about the "Cult of Hollywood," how it permeates the world and what it does.
Again, there was no follow-up from Douglas on any of the comments made by McGowan. McGowan also seemed very dissociated while doing the interview, a common reaction to trauma.
So we have huge mainstream media coverage of the Weinstein issue because it involves "luminaries" of the Hollywood machine, like Rose McGowan, Gwyneth Paltrow, and Angelina Jolie. People are scintillated by it, and those involved get the benefit of the worldwide spotlight to broadcast their plights.
The truth is, though, this type of sexually-based crime and intimidation goes on regularly within the patriarchal hierarchies of Planet Earth. It's built right into the fabric of the power structures.
From worldwide sex trafficking and slavery (including of children), to sexual molestation in the Catholic Church, to rape in the military, to #pizzagate, to husbands raping their wives, to sexual intimidation in workplaces around the world - it's a global theme involving the most heinous abuses of power.
Real advancement on these issues has to go far deeper than the Hollywood level.
And in fact, real advancement must involve the rejection of the Hollywood machine, in general.
It must involve the rejection of Hollywood's detrimental and brainwashing products. It must involve the rejection of the concept of "fame," in general - which will inevitably be considered more and more bizarre the further we get into egalitarian Aquarian times.
Real advancement must involve the rejection of those ridiculously over-the-top paycheques for hoodwinking and diverting the populace with their pretty, pretty faces up there on the screen or stage. Actors and musicians need to find more honest and legitimate avenues to pursue their crafts because being part of Illuminati Hollywood is really nothing to celebrate - or to be celebrated for.
Real advancement involves a public that is not looking to gaze starry-eyed at whatever new, carefully-manufactured idol is placed on a pedestal before it.
Real advancement involves a human society that does not waste its time thinking about physical appearance much at all, certainly not to the point of obsession, narcissism, and even unnecessary surgical procedures, as is the case currently.
People need to get a life!
This Weinstein situation is a potentially-valuable jumping-off point for the Jupiter in Scorpio transit, but we have a very, very long way to go - through much less glamourous territory - in order to create any real and lasting change as far as sexual intimidation, exploitation, abuse, and crimes on this planet.
If there's a rule of thumb for this Jupiter in Scorpio transit, it's this: take it further, dig deeper, and follow your gut as it tells you, "There's more."